Bibliography with Live Links

“Rona Pondick.” Time Out, 26 November 2018, www.timeout.com/newyork.

Straus, Marc and Livia. “Introduction.” Death is Irrelevant. Exh. cat., Peekskill, New York, Hudson Valley MOCA, 2018, pp. 10-11.

Woodward, Richard. “Dawoud Bey: Seeing Deeply.” Collector Daily, 27 November 2018, www.collectordaily.com.

Zelevansky, Lynn. “Rona Pondick: Without Evasion or Compromise.” Rona Pondick: 2013-18. Exh. cat., New York, Marc Straus; Los Angeles, Zevitas Marcus, 2018, pp. 5-13.

2017
Bui, Phong. “Rona Pondick and Robert Feintuch in Conversation with Phong Bui.” Rona Pondick and Robert Feintuch: Heads, Hands, Feet; Sleeping, Holding, Dreaming, Dying. Exh. cat., Lewiston, Maine, Bates Museum of Art, 2017, pp. 66-87.

Dreishpoon, Douglas et. al. “Louise Bourgeois: Art Mother, Readings by Janine Antoni, Petah Coyne, Rona Pondick, Jeanne Silverthorne, Hauser & Wirth New York.” 16 March 2017.

“Dual exhibit at Bates opens on October 27.” Sun Journal, 10 October 2017, www.sunjournal.com.

Hill, Scotti. “Art museum’s new exhibitions tackle history, violence and homelessness in 21st-century America.” Deseret News, 22 February 2017, www.deseretnews.com.

Hubley, Doug. “A Couple for 42 Years, Artists Open Their First Duo Exhibition At Bates.” Bates News, 27 October 2017, www.bates.edu/news.

Click here for a Chinese translation of this review.

King, Elaine A. “Casting, Unbounded in an Expanded Age.” Cast. Atglen, Pennsylvania, Schiffer Publishing, Ltd., 2017, pp. 321, 348-49.

McQuaid, Cate. “Rona Pondick and Robert Feintuch: Heads, Hands, Feet; Sleeping, Holding, Dreaming, Dying.” The Boston Globe, 27 October 2017, www.bostonglobe.com.

The Metropolitan Museum of Art. The Artist Project: What Artist See When They Look At Art. London, Phaidon Press Limited; New York, Phaidon Press Inc.; New York, Metropolitan Museum of Art, 2017, pp. 167, 168, 178, 179, 268.

Mills, Dan. “Introduction.” Rona Pondick and Robert Feintuch: Heads, Hands, Feet; Sleeping, Holding, Dreaming, Dying. Exh. cat., Lewiston, Maine, Bates Museum of Art, 2017, pp. 7-8.

Myers, Terry R. “Bodies Redoubled.” Rona Pondick and Robert Feintuch: Heads, Hands, Feet; Sleeping, Holding, Dreaming, Dying. Exh. cat., Lewiston, Maine, Bates Museum of Art, 2017, pp. 12-23.

Smith, Zak. et al. “Episode 19: Rona Pondick, March 26, 2017.” We Eat Art, Soundcloud, 14 November 2017, www.weeatart.com, www.soundcloud.com.

Townsend, Jen and Zettle-Sterling, Renee. “Casting as it Relates to the History of the Fine and Decorative Arts.” Cast. Atglen, Pennsylvania, Schiffer Publishing, Ltd., 2017, pp. 26-27, 150.

Zhou, Kathy. “Bodies in Space: Rona Pondick and Robert Feintuch at UMOCA.” Slug Magazine, Salt Lake Underground Magazine, 27 February 2017, www.slugmag.com.

2016
Cámara, Gregorio. “Equilibrio y armonía musical.” ARS Magazine, August 2016, pp. 120-132.

Cotter, Suzanne. A Coleçâo Sonnabend: Meio século de arte europeia e americana. Exh. cat., Porto, Portugal, Museu de Arte Contemporânea de Serralves, 2016, pp. 156-157.

2015
Chang, Charlotte. “Art Central – The First Satellite Fair in HK.” Harpers Bazaar Hong Kong, March 2015, pp. 76-79.

de-Formations: A Group Show Featuring Andre Kertesz’s Distortions. Exh. cat., New York, NY, Bruce Silverstein Gallery, 2015.

Drake, Peter et. al. “The New York Academy of Art Presents Beautiful Beast Panel Discussion.” Vimeo, uploaded by The New York Academy of Art, 16 March 2015, www.vimeo.com.

Hodara, Susan. “At Polich Tallix Fine Art Foundry, Master of Metals Is Artists’ Ally.” The New York Times, 31 January 2015, p. WE10.

Plagens, Peter. “An Enlightenment Through Darkness and the Grotesque.” The Wall Street Journal, 27 February 2015, www.wsj.com.

“Rona Pondick: Visiting Artists Program Lecture.” YouTube, uploaded by the School of the Art Institute of Chicago, 4 November 2015, www.youtube.com.

Shaheen, Stephen. “Sculptors on Sculpture: Part Two.” Blouin ArtInfo, 6 March 2015, www.blouinartinfo.com.

“The Artist Project: Rona Pondick.” The Metropolitan Museum, 22 June 2015, www.artistproject.metmuseum.org.

2014
Belasco, Daniel. Dick Polich, Transforming Metal into Art. Exh. cat., New Paltz, NY, Samuel Dorsky Museum of Art, State University of New York at New Paltz, 2014, pp. 38, 76-79.

Bui, Phong. “The Beginning.” Come Together: Surviving Sandy, Year 1. 1st ed., edited by Jack Flam, Italy, Skira Editore, Milano; New York, The Brooklyn Rail; New York, Dedalus Foundation, 2014, pp. 21, 52, 57, 76-77, 231.

Çagdaş, Fuat. “New York’tan Istanbul’a Sergi Açmaya Geldi.” Samdan, May 2014, pp. 82-83.

Çapan, Gülben. “Kafka'yla dönüşen heykeller.” Istanbul Art News, May 2014, p. 26.

Conte, Deianira. “Rona Pondick o del significato viscerale della scultura. Intervista con l’artista.” Artribune, 19 September 2014, www.artribune.com.

Click here for an English translation of the Artribune interview.

Click here for a Chinese & English translation of the Artribune interview.

DeWoody, Beth Rubin, and Paul Morris. Look at Me, Portraiture from Manet to the Present. Exh. cat., New York, NY, Leila Heller Gallery, 2014, p. 113.

Ekiz, Suat. “Krampf Gallery, New York’tan Sonra Istanbul’da.” Hello!, May 2014, p. 140.

Fossati, Filippo and Maurizio Pellegrin. The Paradox of Sculpture. Exh. cat., New York, NY, National Academy School, 2014.

Getsy, David J. “Sculpture since 1960.” Encyclopedia of Aesthetics. 2nd ed., vol. 5, edited by Michael Kelly, New York, Oxford University Press, 2014, pp. 529-534.

Goodeve, Thyrza Nichols. “Rona Pondick, Fox.” Come Together: Surviving Sandy, Year 1. The Brooklyn Rail and Dedalus Foundation, 14 November 2014, www.cometogethersandy.com.

Johnson, Ken. “‘A Garden Divine: Beware of Snake.” The New York Times, 18 July 2014, pp. C19, C23.

Landi, Ann. “When Is an Artwork Finished?” ARTnews, February 2014, pp. 78-83.

MacAdam, Barbara. “‘The Paradox of Sculpture,’ National Academy.” ARTnews, May 2014, p. 102.

Maidman, Daniel. “The Psychodelic: Phong Bui Discusses What He Curated and How He Curated It.” Huffpost Arts & Culture, 7 October 2014, www.huffingtonpost.com.

Pondick, Rona. “Rona Pondick.” The Figure, Painting, Drawing, and Sculpture, Contemporary Perspectives, edited by Margaret McCann, New York, Skira Rizzoli Publications, 2014, pp. 205-207.

Red Bull Music. “Psychedelic Art Exhibition- Spaced Out: Migration to the Interior.” YouTube, uploaded by Red Bull Music & Culture, 10 December 2014, www.youtube.com.

Scanlan, Jennifer. Back to Eden, Contemporary Artists Wander the Garden. Exh. cat., New York, NY, Museum of Biblical Art, 2014, pp. 22-23.

Seed, John. “Contemporary Art’s Body Language.” Hyperallergic, 30 September 2014, www.hyperallergic.com.

Smee, Sebastian. “Worcester’s ‘You Are Here’ captivates with contemporary art.” The Boston Globe, 11 January 2014.

2013
Allen, Mike. “It’s a technology take-over in ‘Two Trees’.” The Roanoke Times, 25 October 2013, Arts & Extras, cover, p. 6.

Click here for a Chinese translation of this review.

Bui, Phong. “In Conversation, Rona Pondick with Phong Bui.” The Brooklyn Rail, March 2013, cover, pp. 24-27, The Brooklyn Rail, www.brooklynrail.org.

Click here for a Chinese translation of this interview.

Chow, Veronica. “Journey of Evolution.” Harper’s Bazaar Hong Kong, December 2013, pp. 100-105.

Click here for an English translation of this article.

Concannon, Kevin. Two Trees. Virginia Tech, 2013.

Click here for a Chinese translation of this essay.

Levin, Kim. “Rona Pondick.” Sculpture, December 2013, p. 7.

Click here for a Chinese translation of this review.

Lieberman, Claire. “Who is the Keeper?” Art Experience: New York City, 13 April 2013, www.artexperiencenyc.com.

Click here for a Chinese translation of this interview.

McClemont, Doug. “Rona Pondick.” ART + AUCTION, June 2013, p. 151.

McDaniel, Craig and Jean Robertson. Themes of Contemporary Art: Visual Art After 1980, 3rd ed., New York, Oxford University Press, 2013, pp. 85-85.

Princenthal, Nancy, et al. “Spellbound.” The Reckoning, Women Artists of the New Millennium. Munich, London, New York, Prestel, 2013, pp. 68-77.

“Rona Pondick at Sonnabend Gallery.” Merrily Kerr New York Art Tours, 11 April 2013, www.newyorkarttours.com.

“The Lookout: A Weekly Guide to Shows You Won't Want to Miss, Rona Pondick at Sonnabend Gallery, through Apr. 27.” Art in America, 11 April 2013, www.artinamericamagazine.com.

Click here for a Chinese translation of this review.

“The Sonnabend Collection.” Wall Street International Magazine, 24 May 2013, www.wsimagazine.com.

Wei, Lilly. “Rona Pondick, Sonnabend.” ARTnews, June 2013, p. 89.

Click here for a Chinese translation of this review.

Wright, Ava. “Sculptor Rona Pondick: Fragmentation, Contradictions and Psychological Layering; Ava Wright Interviews Dakin Hart; Ava Wright Interviews Barbara MacAdam; Ava Wright Interviews Rona Pondick.” Contemporary Art Globally Speaking, April 2013, www.contemporaryartglobally.wordpress.com.

Click here for a Chinese translation of text (videos in english only).

Wright, Ava. “Artists: Altmejd, Pondick and Johnson.” Contemporary Art Globally Speaking, 8 March 2013, www.contemporaryartglobally.wordpress.com.

Click here for a Chinese translation of this article.

2012
Changing States of Matter. Exh. cat., Milan, Italy, Brand New Gallery, 2012, pp. 2-5, 48-49, 62-63.

“Changing states of matter.” Exibart International, 31 May 2012, www.international.exibart.com.

“‘Changing states of matter’ at Brand New Gallery, Milan.” Mousse Magazine, 6 July 2012, www.moussemagazine.it.

“Changing States of Matter.” Thats Contemporary, 2012, www.thatscontemporary.com.

Flannery, Maura C. “Biology & Art: An Intricate Relationship.” The American Biology Teacher, March 2012, pp. 194-197

Hoffman, Sara. “Rona Pondick.” The Sydney and Walda Besthoff Sculpture Garden at the New Orleans Museum of Art. Edited by Miranda Lash, London, Scala Publishers Ltd; New Orleans, LA, New Orleans Museum of Art, 2012, pp. 142-143.

“Interview, Rona Pondick, 'Drawings and Sculptures.'” AMA Newsletter 60, Paris, France, Art Media Agency, 13 July 2012, p. 24.

Kracht, Gigi O. “Sunshine's Nook, The Art of Eve in the Big Apple and Beyond.” Views, The Baur Au Lac Magazine, Edition 2012, p. 60.

Lash, Miranda. The Sydney and Walda Besthoff Sculpture Garden. London, Scala Publishers Limited; New Orleans, New Orleans Museum of Art, 2012, pp. 3, 14, 142, 143, 189.

Liuzzi, Sara. “Bis alla Brand New Gallery di Milano: Cristina Lei Rodriguez | Changing States of Matter.” International Business Times, 30 May 2012, www.ibtimes.com.

Nahmod, David Elijah. “Trees of life, An exploration of San Francisco’s Contemporary Jewish Museum’s new exhibit, ‘Do Not Destroy: Trees, Art and Jewish Thought.’” The Times of Israel, 26 February 2012, www.timesofisrael.com.

Phillips, Ian. “Ad Bei…Thaddaeus Ropac.” Architectural Digest, Die Schönsten Häuser Der Welt, No. 132, September 2012, pp. 240-241.

Solomon, Dara. Do Not Destroy: Trees, Art, and Jewish Thought. San Francisco, CA, Contemporary Jewish Museum, 2012, pp. 15, 73.

Turton-Turner, Pamela. “The ‘Maternal’ Feminist: Exploring the Primal in Women's Art.” Studies in the Maternal, volume 4, issue 1, 2012, pp. 9-15.

2011
Anker, Suzanne. “Fundamentally Human: Contemporary Art and Neuroscience.” Fundamentally Human. Exh. cat., Istanbul, Turkey, Pera Museum, 2011, pp. 23-53, 74-77.

Armstrong, Richard. Ileana Sonnabend, An Italian Portrait. Exh. cat., Venice, Italy, The Solomon R. Guggenheim Foundation, 2011, p. 9.

Artoni, Margherita. “Interview with Rona Pondick.” American Dream. Exh. cat., Rome, Italy, Valentina Bonomo Roma, 2011, p. 34-41.

Bulut, Ümran. “‘Temelde Insan’ ve ‘Ihsan Cemal Karaburçak’ sergileri 3 Temmuz’ a dek Pera Müzesi’nde, Baska türlü manzaralar.” Cumhuriyet, Günlük Ulusal Gazete, 16 June 2011, p. 16.

Cahill, Zachary. “‘Never Let Me Go,’ Rhona Hoffman Gallery.” Artforum, June 2011.

Carvani, Ilaroa. “American Dream, Roma, Galleria.” Exibart International, 16 April 2011, www.international.exibart.com.

Circa 1986. Exh. cat., Peekskill, Hudson Valley Center for Contemporary Art; Amsterdam, Black Cat Publishing, 2011, cover, pp. 45, 70.

Codognato, Mario. Ileana Sonnabend, An Italian Portrait. Exh. cat., Venice, Italy, The Solomon R. Guggenheim Foundation, 2011, pp. 96-97.

De Sanctis, Linda. “Sogno a stele e strisce tra acquarelli e collage.” La Repubblica.it, 26 March 2011, p. 21.

“Dream Team.” Il Giornale dell’ arte.com, The Art Newspaper, April 2011, www.ilgiornaledellarte.com.

Driessen, Chris, and van Mierlo, Heidi, eds. Raw Stardust, Excursions in Contemporary Sculpture II. Tilburg, The Netherlands, The Fundament Foundation, 2011, pp. 32-33.

Ferri, Patrizia. “American Dream, Valentina Bonomo, Roma.” Flash Art, La prima rivista d’arte in Europa, April 2011, www.flashartonline.it.

Fineberg, Jonathan. Art Since 1940: Strategies of Being. 1995, 2000. Englewood Cliffs, NJ, Prentice Hall, 2011, p. 464, 466-467.

Laferriere, Catherine. “Naked.” Artscope Magazine, v.6, no.3, July/August 2011, p. 12.

Lash, Miranda. The Sydney and Walda Besthoff Sculpture Garden; at the New Orleans Museum of Art, Art Spaces. London, Scala Publishers Limited; New Orleans, New Orleans Museum of Art, 2011, pp. 7, 39, 42, 43, 62.

Manzari, Fabrizio. “American Dream XXI secolo.” Sguardo Contemporaneo, cura e critica d’arte, April 2011, www.sguardocontemporaneo.it.

McQuaid, Cate. “In the flesh.” The Boston Globe, 20 July 2011.

Oynar, Hande. “In Focus at Pera Museum: Human Nature.” The Guide Istanbul, May-June 2011, pp. 74-77.

“Philip Rylands presents the exhibition ‘Ileana Sonnabend. An Italian Portrait.’” YouTube, uploaded by Peggy Guggenheim Collection, 14 June 2011, www.youtube.com.

Schwendener, Martha. “The Complex 1980s, Viewed by 47 Artists.” The New York Times, 6 November 2011, p. WE12.

Swinand, Sue. “Arts and Ideas #9, Rona Pondick Sculpture Exhibit." YouTube, uploaded by loursvp Arts and Ideas, 18 January 2011, www.youtube.com.

Weiermair, Peter. “Dietgard Grimmers Zoo.” Froschbärfant und andere Tiere in der Kunst. Exh. cat., Salzburg, Austria, Galerie im Traklhaus, 2011, pp. 11-12, 27.

2010
“Fotos bei Ropac, Zirkuswelten in der Altstadt.” Kronen Zeitung, Salzburg, 24 January 2010, p. 26.

MacAdam, Barbara A. “Self-Portrait as Muskrat, Monkey, and Mouse.” ARTnews, May 2010, pp. 92-97.

Palmer, Carleton. “Metamorphoses: Rona Pondick at NCMA March 13 through May 23,” Long Island Contemporary Arts Examiner, 6 March 2010.

Shea, Andrea. “DeCordova Curator Gets His Own ‘Otter.’” 90.9 WBUR, News, NPR, Boston, 6 December 2010, www.wbur.org.

“Vernissage, Galerie Ropac.” Salzburger Nachrichten, 23 January 2010, p. 23.

2009
Bergeron, Chris. “Rona Pondick’s sculptures are an amalgam of the ancient and the modern.” The Metrowest Daily News, 17 May 2009, pp. C1, C7.

Bey, Dawoud. “A Couple of Thoughts in/on Passing: Rona Pondick and Roy DeCarava.” What’s Going On? Dawoud Bey’s Blog, 2 November 2009, www.whatsgoingon-dawoudbeysblog.blogspot.com.

Braat, Manon. “Rona Pondick.” Grotto/Stardust. Tilburg, The Netherlands, Fundament Foundation, 2009, p. 12.

Clark, Shaula. “States of the Art, New England Museums Worth Traveling For.” Summer Guide, Supplement to the Boston Phoenix, 12 June 2009, p. 14.

Gilman, Amy. Toldeo Museum of Art Masterworks. Toledo, OH, Toledo Museum of Art, 2009, p. 357.

Fifield, George. “Rona Pondick: The Art of Using Technology.” Rona Pondick: The Metamorphosis of an Object. Exh cat., Worcester, Massachusetts, Worcester Art Museum, 2009, pp. 107-112.

Hart, Dakin. “A Museum of Rona Pondick's Making.” Rona Pondick: The Metamorphosis of an Object. Exh. cat., Worcester, Massachusetts, Worcester Art Museum, 2009, pp. 29-41.

Hart, Dakin. “Lecture on Rona Pondick: Modeling in the Age of Mechanical Reproduction.” Worcester Art Museum, Contemporary Gallery, Worcester, Massachusetts. 1 October 2009, Art Lecture.

Houston, Joe. “Envisioning Origins, An artful look at our formation.” Phi Kappa Phi Forum, Spring 2009, pp. 16-17.

Kaneda, Shirley. “Rona Pondick.” Bomb Magazine, 8 October 2009, www.bombmagazine.org.

Lloyd, Ann Wilson. “Rona Pondick, Worcester Art Museum.” Art in America, November 2009, pp. 199-200.

McQuaid, Cate. “This ‘Metamorphosis’ spans centuries.” The Boston Globe, 26 April 2009, p. N5.

McQuaid, Cate. “Fluent in confluences.” The Boston Globe, 23 September 2009, pp. 2, 4.

Miller, Francine Koslow. “Rona Pondick, Worcester Art Museum/Howard Yezerski Gallery.” Artforum, December 2009, pp. 238-239.

Plumb, Taryn. “Rona Pondick: The Metamorphosis of an Object.” Artscope Magazine, July/August 2009, pp. 24-25.

Princenthal, Nancy. “Of Two Minds: Pondick's Hybrid Sculptures in Historical Context.” Rona Pondick: The Metamorphosis of an Object. Exh. cat., Worcester, Massachusetts, Worcester Art Museum, 2009, pp. 43-49.

"Rona Pondick." Medicine and Art: Imagining a Future for Life and Love. Exh. cat., Tokyo, Japan, Mori Art Museum, 2009, pp. 240, 283.

Stoops, Susan. “Rona Pondick.” The Rose Art Museum at Brandeis. Edited by Michael Rush, New York, NY, Abrams, 2009, p. 260.

Stoops, Susan L. “Visceral Meaning: How Sculptors See.” Rona Pondick: The Metamorphosis of an Object. Exh. cat., Worcester, Massachusetts, Worcester Art Museum, 2009, pp. 11-27.

Click here for a Chinese translation of this essay.

Wei, Lilly. “Arnhem, The Netherlands, Sonsbeek 2008.” Sculpture, June 2009, pp. 76-77.

“Worcester Art Museum.” Sculpture, September 2009, p. 21.

2008
“Au Palais des Beaux-Arts de Lille, Goya, le grand dénonciateur.” La Gazette Nord-Pas de Calais, 8 May 2008, p. 12.

C.S. “Les Beaux-Arts s’offrent un Caprice, Le musée expose pour la première fois dans son intégralitè une série de gravures de Goya.” Métro, 23 April 2008.

“Caprices fabuleux d’hier et d’aujourd’hui.” Lille Magazine, May 2008, p. 39.

Carton, Virginie. “Rona Pondick, enfant de Goya, au palais des Beaux-Arts.” La Voix du Nord, 12 June 2008.

Cotentin, Régis. “Actualités des Caprices.” Goya. Les Caprices & Chapman, Morimura, Pondick, Schutte. Exh. cat., Paris, Somogy Éditions d’Art; Lille, Palais des Beaux-Arts de Lille, 2008, pp. 35-51.

Cotentin, Régis. “Rona Pondick: The other side of reality.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat., Ljubljana, Slovenia, TR3, 2008, pp. 21-29.

Doudelet, Roland. “Pérennité de la série « Les Caprices » au palais des Beaux-Arts de Lille, A la lumière de Goya.” Le Jeudi, 8 May 2008.

Eshoo, Amy. A New York Drawing Collection at Work, 1991-2006. New York, Fifth Floor Foundation; New Haven, Yale University Press, 2008, pp. 155, 162, 171-72.

Flouque, Sophie. “Gravure Éternels « Caprices ».” Le Journal des Arts, 23 May-5 June 2008.

Gauyat, Pierre. “Côté expo, « Goya, les Caprices » au Palais des Beaux-Arts de Lille, Les pensées illustrées.” Liberté Hebdo, 13-19 June 2008, pp. 22-23.

Gilsoul, Guy. “Goya le terrible.” Le Vif / L’express, 20 June 2008, p. 111.

“Goya in Lille en Parijs, Los Caprichos Toen en Nu.” Fine Arts Magazine, Summer 2008.

“Goya - Les caprices.” Mémoire des arts, July-August 2008, p. 13.

“Goya: Les Caprices.” The Bulletin, 24 April 2008, p. 13.

Heartney, Eleanor. Art & Today. London, Phaidon Press Limited; New York, Phaidon Press Inc., 2008, pp. 208, 210.

Houston, Joe. “The Alchemical Forest.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. Paris/Salzburg, Galerie Thaddaeus Ropac; New York, Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008, pp. 89-107.

Click here for a Chinese translation of this essay.

"Installation, Orchestration minutieuse pour « Caprices » d’hier et d’aujourd’hui." La Voix du Nord,18 April 2008.

Koplos, Janet. “Out of the Woods, Two sculpture exhibitions in Dutch parks last summer translated their intellectual programs into compelling visual encounters.” Art in America, October 2008, pp. 80-85.

“Kritiki, Otvoritev kiparske razstave Rone Pondick, 'Glava na drevesu,' TR3, Ljubljana.” [Review, Opening of an exhibition of works by the sculptor Rona Pondick, 'Head in Tree,' TR3, Ljubljana]. Mladina, 17 October 2008, pp. 58, 63.

“L’expo Goya s’installe aux Beaux-Arts.” Métro, 17 April 2008.

L.G. “L’installation, c’est tout un art!” Nord Éclair, 20-21 April 2008.

“Lille, Goya et ses caprices.” Voyages Voyages, June 2008.

“Lille, Le palais des Beaux-Arts termine l'installation Goya.” La Voix du Nord, 17 April 2008.

MacAdam, Barbara A. “Rona Pondick.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat., Ljubljana, Slovenia, TR3, 2008, pp. 15-17.

Martí, Octavi. “La muy española primavera francesa,” El Pais, 10 May 2008.

Megla, Maja. “Zanima me biti zrcalo.” [“I’m interested in being a mirror” (Interview)]. Mag, 29 October 2008, pp. 64-66.

Méreau, Julia. “Des Caprices de Goya à Rona Pondick.” Nord Éclair, 12 June 2008.

Moniez, Laurie. “Palais des Beaux Arts, Des Caprices de Goya savoureux.” Nord Éclair, 25 April 2008, p. 7.

Mrevlje, Neža. “Kiparstvo: Med hladno umetnostjo in prepričljivostjo.” [Sculpture: Between the cold and the art of persuasiveness]. Indirekt, 15 October 2008, p. 12.

Myers, Terry R. “Rona Pondick’s Animal Magnetism.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat., Ljubljana, Slovenia, TR3, 2008, pp. 33-36.

Myers, Terry R. “Rona Pondick’s Animal Magnetism.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. Paris/Salzburg, Galerie Thaddaeus Ropac; New York, Sonnabend Gallery; Salzburg, Internationale Sommerakademie für Bildende Kunst, 2008, pp. 50-61.

O.A. “Les Beaux-Arts soulignent la modernité de Goya.” 20 minutes, 25 April 2008.

“On en Reparlera, Goya au palais des Beaux-Arts.” La Voix du Nord, 24 April 2008.

Piras, Sebastian. A Pocketful of Contemporary Artists. Mulgrave Victoria, Australia, Peleus Press, 2008, pp. 182-83.

Racic, Irena. “Rona Pondick, Preddverje stolpnice TR3, Ljubljana.” [Rona Pondick, Hall towers TR3, Ljubljana]. Indirekt, 13 October 2008, p. 14.

Seban, Alain. Collection Florence and Daniel Guerlain: Dessins New York 2008. Exh. cat., Les Mesnuls, France: Ammiimages, 2008.

Soyez, Fabien. “Les Caprices de Goya de retour aux Beaux Arts.” La Croix du Nord, 9-15 May 2008.

Theyrez, Emmanuelle. “Goya, ‘capricieux’ et intemporel.” Face Grand, May 2008.

Tilroe, Anna. “Wisdom–Rona Pondick.” Sonsbeek 2008: Grandeur. Exh. cat., Arnhem, Netherlands, Thieme Art, Deventer, Stichting Sonsbeek Internationaal, 2008, pp. 81-87, 262, 273.

Tilroe, Anna. “Rona Pondick.” Sonsbeek 2008: Grandeur. Visitor guide, Netherlands, Stichting Sonsbeek Internationaal, 2008, pp. 14-15.

Urbančič, Vojko. “Napovedujemo, Rona Pondick, Galerija TR3, Ljubljana.” [Announcement: Rona Pondick, TR3 Gallery, Ljubljana]. Delo, 11 October 2008, p. 20.

Urbančič, Vojko. “Novost, Rona Pondick.” [Newness: Rona Pondick]. Delo, 13 October 2008, p. 10.

Voiturier, Michel. “Goya, actuel car intemporel.” Courrier de l’escaut, 12 July 2008.

Vouters, Bruno. “À Lille, les Caprices de Goya jouent les prolongations!” La Voix du Nord, 24 May 2008.

Wally, Barbara. “Rona Pondick Interviewed by Barbara Wally.” Rona Pondick: Works / Werke, 1986–2008, New York, Salzburg. Paris/Salzburg, Galerie Thaddaeus Ropac; New York, Sonnabend Gallery; Salzburg, Internationale Sommerakademie für Bildende Kunst, 2008, pp. 6-39.

Click here for a Chinese translation of this interview.

Weiermair, Peter. “Reflections on an Exhibition at the Rupertinum Museum for Modern and Contemporary Art.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. Paris/Salzburg, Galerie Thaddaeus Ropac; New York, Sonnabend Gallery; Salzburg, Internationale Sommerakademie für Bildende Kunst, 2008, pp. 39-45.

Žigon, Petra. “Zgodba o uspehu, Rona Pondick, Razmišljam z rokami!” [Story of Success: ‘I think with my hands,’ (Interview)] Obrazi, 23 October 2008, p. 79.

2007
Cameron, Dan, Peter B. Lewis, and Toby Devan Lewis. Foreword by Toni Morrison. ArtWorks: The Progressive Collection. New York, Distributed Art Publishers, 2007, pp. 154-55.

Collins, Judith. Sculpture Today. London, Phaidon Press Limited; New York, Phaidon Press Inc., 2007, pp. 90, 94.

McQuaid, Cate. “Exploring the Mysteries of ‘Cosmoses.’” Boston Globe, 2 August 2007, p. E8.

Posner, Helaine, and Nancy Princenthal. After the Revolution: Women Who Transformed Contemporary Art. Munich, Prestel Verlag, 2007, pp. 43-45, 141.

2006
“Rona Pondick.” New Yorker, 26 April 2006, p. 30.

Johnson, Ken. “Rona Pondick.” New York Times, 14 April 2006, E32.

Weiermair, Peter. Eccentrics. Exh. cat., Kraichtal, Germany, Ursula Blickle Foundation, 2006, pp. 5-7, 76-84, 120-23, 130-31.

2005
Piguet, Philippe. Collection 2. Collection Claudine et Jean-Marc Salomon. Exh. cat., Annecy, France, Fondation pour l’art contemporain Claudine et Jean-Marc Salomon, 2005, pp. 4, 94-99.

Steffen, Barbara, and Mary Anne Redding. Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York. Exh. cat., Vienna, Edition Sammlung Essl, 2005, pp. 114, 139, 146, 274.

2004
Anker, Suzanne, and Dorothy Nelkin. The Molecular Gaze: Art in the Genetic Age. New York, Cold Spring Harbor Laboratory Press, 2004, cover, 62, 64.

Biro, Matthew. “Rona Pondick: Sculpture, 1992–2003.” Art Papers, January/February 2004, pp. 50-51.

Foster, Hal, et. al. Art Since 1900: Modernism, Antimodernism, Postmodernism, vol. 2, New York, Thames and Hudson, 2004, pp. 645-646.

Morrisroe, Julia. “Rona Pondick: Sculpture, 1992–2003.” Dialogue, March/April 2004, p. 35.

Ostrow, Saul. “Rona Pondick: Mixed Fictions.” Angle 16, September/October 2004, p. 9.

Richards, Judith Olch. “Rona Pondick.” Inside the Studio. New York, Independent Curators International, 2004, pp. 10, 162-65.

“Rona Pondick: ‘Recent Work’ at MOCA Cleveland.” Bridge, June/July 2004.

Starker, Melissa. “Hit the Road: Photographer Annie Leibovitz and Sculptor Rona Pondick Lure Art Fans to Cleveland.” Ohio News Bureau, 14 July 2004, p. 14.

Tranberg, Dan. “Classical and Digital Worlds Inspire Sculpture.” Plain Dealer, 22 May 2004, pp. E1, E6.

Tranberg, Dan. “What Separates Us from Animals? You’d Be Surprised.” Plain Dealer, 30 July 2004, p. 46.

2003
Chessler, Suzanne. “Taking Cues from Kafka.” Jewish News, 26 September 2003.

Cohen, Keri Guten. “Sculptor Puts Herself into Her Work.” Detroit Free Press, 28 September 2003, p. 6E.

Colby, Joy Hakanson. “If You Can Get Past the Opening, You’ll Enjoy the Exhibit.” Detroit News, 18 October 2003.

Fifield, George. “Rona Pondick’s Monsters of Fear and Desire.” Sculpture, September 2003, pp. 34-39.

Green, Roger. “Artists Armed with Body Parts.” Ann Arbor News, 9 November 2003, p. C4.

Haddad, Natalie. “The Metamorphosis.” Detroit Weekly, 12 November 2003, p. 25.

Heeger, Susan. “Spiritual Roots.” Los Angeles Times Magazine, 21 September 2003, pp. 24-28.

Johnson, Ken. “The New Season/Art.” New York Times, 7 September 2003, p. 97.

Kinghorn, George. “Substance of Skin.” Skin: Contemporary Views of the Body. Exh. cat., Jacksonville, Jacksonville Museum of Modern Art, 2003, pp. 6, 26-27.

MacCash, Doug. “Carving Out an Art Garden.” Times-Picayune, 21 November 2003, pp. 21-24.

“Rona Pondick: New Work.” Sculpture Magazine, March 2003, p. 14.

Mannistoe, Glen. “Metallic Poses: Rona Pondick’s Arresting Hybrids.” MetroTimes, 15 October 2003, pp. 26-27.

Seidel, Claudia, and Rachel Haidu. A Dialogue of Two Collections: Ileana Sonnabend and DaimlerChrylser. Exh. cat., Berlin, Daimler Chrylser Contemporary, 2003, pp. 13, 30-31.

Stafford, Nicole. “What Do You See?” Observer & Eccentric, 25 September 2003, cover, pp. E11, E15.

2002
Basile, diFranco. “Visionaria Rona. Alla GAM.” Il Resto del Carlino, 5 April 2002.

“Beelden van Rona Pondick in Groninger Museum.” DB v/h N. ed. Stad en Haren, Db v/h N. ed. Drenthe Noord, 14 September 2002, p. 23.

Camhi, Leslie. “An Artist’s Metamorphosis: Zoo Story.” Village Voice, 30 April 2002, p. 63.

Camonchia, Sabrina. “Corpi ibridi dell’arte. Undici sculture di Rona Pondick alla GAM.” Il Domani, Il Stampa, 10 April 2002, p. 14.

Cozzolino, Francesca. “Rona Pondick.” Flash Arte, 21 June 2002.

“Denti e orecchie metamorfiche. Bologna, Galleria d’arte moderna.” Il Giornale delle Arte, June 2002, p. 20.

Eccher, Erica. “Acciaioghiaccio—Rona Pondick.” Exibart, no.2, May 2002, p. 14.

“Expositie van Pondick in Groninger Museum.” Leeuwarder CRT ed. Stad, Leeuwarder Crt ed. Zuid, 9 September 2002, p. 11.

Haidu, Rachel. From Pop to Now: Selections from the Sonnabend Collection. Exh. cat., New York, Distributed Art Publishers, 2002, pp. 144-45, 180.

Henser, Chilla. “Audacious Rona.” First Class Paris, 9 April 2002, p. 20.

Keikes, André. “Fabeldieren van de toekomst.” Leeuwarder CRT ed. Zuid, Leeuwarder CRT ed. Stad, 11 October 2002, pp. 32-33.

Koplos, Janet. “Rona Pondick: Orchestrated Obsessions.” Art in America, September 2002, pp. 114-19.

MacAdam, Barbara A. “Rona Pondick.” Art News, Summer 2002, pp. 177-78.

Maurel, Michel. “Rona Pondick, Sculptures.” Bienvenue sur Nouba, 2 March 2002.

“Mens, dier en Rona.” Groninger Gezinsbode Stad, 27 September 2002.

Mine, Molly. “Rona Pondick.” Paris Capitale, February 2002.

Pollack, Barbara. “Working Vacation.” Village Voice, 23 July 2002, pp. 46-47.

Princenthal, Nancy. “A Dreamlike Melding of Human, Beast and Steel.” New York Times, 7 April 2002, pp. 33, 35.

Click here for a Chinese translation of this article.

Reitsman, Ella. “Kunst.” Vrij Nederland, September 2002, p. 84.

Robinson, Walter. “Weekend Update.” Artnet Magazine, 29 April 2002.

“Rona Pondick, Sculture.” Tiscali Arte, 27 April 2002.

“Rona Pondick.” Galeries NL, September 2002, www.galeries.nl.

Click here for an English translation of the Galeries NL article.

“Rona Pondick.” Kunstbeeld, September 2002.

“Rona Pondick.” Man, August 2002.

Rosen, Anna. “Rona Pondick.” Urbuz, 5 March 2002.

Sigalotti, Annamaria. “L'arte liminale di Rona Pondick.” Art & Job Magazine, 22 March 2002, p. 32.

Spadoni, Claudio. “Silicone e acciaio per rimodellare Terminator.” Il Resto Carlino, 21 April 2002.

Steinberg, Claudia. “Schimaren Bologna. Rona Pondick.” Kunstzeitung, June 2002, p. 15.

Temin, Christine. “Exhibit Puts Disturbing Face on Sculptor’s Work.” Boston Globe, 28 August 2002, pp. D1, D6.

Tomasette, Tatlana. “Rona Pondick espone alla GAM di Bologna.” Arte al limite, April-May 2002, p. 13.

Torresin, Brunella. “Specci d’arte. L’umanità anfibia di Rona Pondick.” La Repubblica, 10 April 2002, p. 8.

Van Der Beek, Wim. “Rona Pondick.” Kunstbeeld, December 2002.

Van Der Zijpp, Sue-an. “Beyond the Order of Things.” Rona Pondick. Exh. cat., New York, Sonnabend Press, 2002, pp. 4-5.

Van Der Zijpp, Sue-an. “The Transformations of Rona Pondick.” Groninger Museum Magazine, October 2002-January 2003. pp. 8-13, 20-23.

Weiermair, Peter. “Considerations about the Work of Rona Pondick.” Rona Pondick. Exh. cat., New York, Sonnabend Press, 2002, pp. 7-10.

Werkhoven, Isabella. “Wonderlijke wezens van Rona Pondick.” DB v/h N. ed. Stad en Haren, Dv v/h N ed. Drenthe Noord, 9 September 2002, p. 42.

Zaya, Octavio. “Rona Pondick: The Metamorphosis of an Object Maker: An Interview with Rona Pondick.” Rona Pondick. Exh. cat., New York, Sonnabend Press, 2002, pp. 111-139.

Click here for a Chinese translation of the interview.

Zaya, Octavio. “Rona Pondick: The Metamorphosis of an Object Maker.” Flash Art, March-April 2002, pp. 76-77.

2001
Fifield, George. “Mindshare: Headshrinker.” Artbyte, January-February 2001, pp. 6, 20-21.

Fifield, George. “Rona Pondick.” Bomb 77, Fall 2001, pp. 103-04.

Mondloch Loreto, Katie. “Rona Pondick.” Tema Celeste, Summer 2001, p. 92.

Morgan, Margaret. “Rona Pondick.” Artext 74, August-October 2001, p. 87.

Ollman, Leah. “Pondick’s ‘Dirthead’ Powerfully Depicts Grisly Effects of Mankind’s Evil History.” Los Angeles Times, 4 May 2001, p. F20.

Phelan, Peggy, and Helena Reckitt. Art and Feminism. London, Phaidon Press, 2001, pp. 18, 163, 276.

2000-2001
Fifield, George. “Rona Pondick: Lifelike, Unnatural, Hybrid Sculptures Address Questions of Fear and Desire.” Art New England 221, December 2000-January 2001, pp. 3, 75.

2000
Baer, Josh. “Art by Numbers.” New York, 19 June 2000, p. 14.

Balken, Debra Bricker. “Drawing in the Present Tense.” Exh. cat., New York, Parsons School of Design, 2000, pp. 36-37.

Fineberg, Jonathan. Art Since 1940: Strategies of Being. 1995, Englewood Cliffs, N.J., Prentice Hall, 2000. p. 467.

Gabriel, Nelly. “Biennale. L’art contemporain mondial à la Halle.” Lyon Figaro, 27 June 2000, pp. 21-22.

Kaufman, Jason Edward. “Grasping the Global.” Artnet Magazine, July 2000, pp. 1-4.

Levin, Kim. “Border Crossings.” Village Voice, 26 July-1 August 2000.

Martin, Jean-Hubert. “L’Express. Biennale d’art contemporain de Lyon.” Exh. broch., Lyon, France, Lyon Biennale, 2000, pp. 8-12.

Martin, Jean-Hubert. “Partage d’Exotismes.” 5ème Biennale d’art contemporain de Lyon. Exh. cat., Lyon, France, Lyon Biennale, 2000, vol. 2, pp. 32-33, 210.

Princenthal, Nancy, and Janet Zweig. Chain 7: memoir/antimemoir. Manoa, University of Hawaii, Manoa, 2000, pp. 155, 241.

Weibel, Peter. Der Anagrammatische Korper. Exh. cat., Karlsruhe, Germany, Zentrum für Kunst und Medientechnologie Karlsruhe, 2000, sec. 1, p. 19.

Zaya, Antonio. Erresistentziak Resistencias. Exh. cat., San Sebastian, Spain, Koldo Mitxelena Kulturunea Donostia-San Sebastian, 2000, pp. 52-55, 156-59, 170.

1999
Guggenberger, Ulrike. “Ert auf den Schrottplatz.” Salzburger Nachrichten, 6 August 1999, p. 15.

Mechelen, Marga van. “Ekelkunst als Diskurs über die Geschlecter.” Zeitschrift für Semiotik 21, no. 3, 1999, pp. 374-77.

Motsschlmaier, W. “Positionsreihe 7.” Salzburger Nachrichten, 21 July 1999, p. 10.

“Salzburger Festspiele Rupertinum,” Salzburger Nachrichten, 24 July 1999, p. 33.

Schneider Adams, Laurie. Art Across Time. Boston, McGraw-Hill College, 1999, pp. 934-35.

Von Kreibig, Uwe. “Erstes Raumschiffzur Venus.” Free Press, 1999.

Wolf, Robert. “Rupertinum. Rona Pondick zeight beeindruckende Installationen in Humaner Gesinnung.” SVZ, 21 July 1999, p. 9.

1998
Berends, Jeroen. “What Remains.” Groninger Museumkrant, Fall 1998, pp. 13-14.

Camhi, Leslie. “Woman on the Verge: Yayoi Kusama Returns Right on Time.” Village Voice, 14 July 1998, p. 37.

Chadwick, Whitney. Mirror Images, Women, Surrealism, and Self-Representation. Cambridge, MA, MIT Press, 1998, pp. 20-21, pl. 24, 25.

Giuliano, Charles. “Rona Pondick: Works on Paper and Artist’s Books. Howard Yezerski Gallery, Boston.” Sidewalk, June 1998, www.sidewalk.com.

Greben, Deidre, Stein. “Rona Pondick.” Art News, February 1998, p. 120.

Harris, Susan. “Rona Pondick.” Skulptur—Figur—Weiblich. Exh. cat., Linz, Austria, Landesgalerie Oberosterreich Landesmuseum, 1998, pp. 135-38.

Heartney, Eleanor. “Report from Johannesburg: Mapping the Postcolonial.” Art in America, June 1998, pp. 51-55.

Hixson, Kathryn. “Business as Usual? Art World Post-Nationals in a New Nation State: The 1997 Johannesburg Biennale.” New Art Examiner, 25 March 1998, pp. 27-31.

Hoptman, Laura. “The Return of Yayoi Kusama.” Museum of Modern Art Bulletin, July/August 1998, p. 8.

Landi, Ann. “Beating the Post-Show Blues.” Art News 97, November 1998, pp. 156-58.

McQuaid, Cate. “Drawing on the Mantra ‘I Want.’” Boston Globe, 4 June 1998, pp. E1-E4.

Pondick, Rona. 12345. Boston, Howard Yezerski Gallery, 1998.

Princenthal, Nancy. “Artist’s Book Beat.” On Paper, 2 July-August 1998, pp. 50-51.

Silver, Joanne. “Ears Speak of Longing in Pondick’s Drawings.” Boston Herald, 22 May 1998.

Temin, Christine. “Two Blossoms at the Rose.” Boston Globe, 11 December 1998, pp. D1, D12-13.

Wilson, William. “‘Head to Toe’ Mixes Education, Fun.” Los Angeles Times, 28 February 1998, p. F10.

Zaya, Octavio, and Antonio Zaya. “Desde Sudafrica.” Atlántica Internacional Revista de las Artes 19, Winter 1998, pp. 10, 123-24.

Zelevansky, Lynn. “Driving Image: Yayoi Kusama in New York.” Love Forever: Yayoi Kusama, 1958–1968. Exh. cat., Los Angeles, Los Angeles County Museum of Art, 1998, p. 30.

Zimmer, William. “Inviting or Not, What Do Beds Mean?” New York Times, 4 October 1998, p. 18.

1997
Arkhipoff, Elisabeth, and Sarah de Haro. “Sous le manteau.” Nova Magazine, March 1997.

Bristowe, Anthea. “Johannesburg Biennial 1997.” Art News, January 1997, pp. 141-42.

Deans, Jeanie. tree head room. Exh. cat., New York, Sidney Janis Gallery, 1997.

Enwezor, Okwui, and Octavio Zaya. “Trade Routes: History and Geography.” Second Johannesburg Biennale, Fall 1997, pp. 180-81.

Heinick, Angelika. “Kleid, rührendstes aller Symbole.” Frankfurter Allgemeine Zeitung, 19 April 1997, p. 91.

Horodner, Stuart, ed. “Frankenstein.” New Observations, 114 Spring 1997, p. 28.

Johnson, Ken. “Rona Pondick.” New York Times, 3 October 1997, p. E35.

Koplos, Janet. “Art on Stage.” Art in America, September 1997, pp. 51-55.

Kuspit, Donald. “The Problem of the Jewish-American Artist.” New Art Examiner, April 1997, pp. 30-35.

Levin, Kim. “Art Galleries, Especially Recommended.” Village Voice, 28 October 1997, p. 15.

Picasso, Sydney. “Visions d’artistes.” Vogue (Paris) 775, March 1997, pp. 16-19.

Schor, Mira. Wet: On Painting, Feminism, and Art Culture. Durham, N.C., Duke University Press, 1997, pp. 194, 225, pl. 13.

Shottenkirk, Dena. “Body language.” World Art 12, 1997, pp. 35-39.

St. Sauveur, Michele. “Embedded Metaphor.” New Art Examiner, March 1997, p. 43.

Zimmer, Elizabeth. “It’s Genius! Artists Cheer the Best of the Year.” Village Voice, 7 January 1997, p. 26.

1996
Boodro, Michael. “Biting Wit.” Vogue, December 1996, p. 204.

Gill, Sharon. Outer Layer. Exh. cat., Summit, N.J., New Jersey Center for Visual Arts, 1996, pp. 2-3.

Glueck, Grace. “Menorah by Chanel, Barbie as Shiksa-Goddess.” New York Observer, 25 March 1996, p. 21.

Goodeve, Thyrza Nichols. “Artists in Action: Finding a New Frame for Performance.” Next Wave Magazine, Brooklyn Academy of Music, Fall 1996, pp. 66-68.

Jones, Amelia. Sexual Politics: Feminist Strategies, Feminist Conflicts, Feminist Histories. Exh. cat., Los Angeles, UCLA at the Armand Hammer Museum of Art and Cultural Center, 1996, pp. 27, 257.

Kleeblatt, Norman. Too Jewish? Challenging Traditional Identities. Exh. cat., New Brunswick, NJ, New Jewish Museum and Rutgers University Press, 1996, pp. 18, 19, 145.

Kotik, Charlotta. Mine. Exh. broch., Brooklyn, NY, Brooklyn Museum, 1996.

Levin, Kim. “Voice Choices: Brooklyn Museum.” Village Voice, 19 November 1996, p. 11.

McQuaid, Cate. “Turning a Worldly Eye on Innocence.” Boston Globe, 22 February 1996, p. 74.

Melrod, George. “Openings.” Art and Antiques, February 1996, p. 26.

Pagel, David. “Pleasure and Pain.” Los Angeles Times, 25 April 1996, p. F11.

Pedersen, Victoria. “Gallery Go Round.” Paper, December 1996, p. 140.

Temin, Christine. “Just Can’t Stop That Pop.” Boston Globe, 13 November 1996, pp. F1, F4.

1995
Benvenuto, Christine. “Mixing It Up.” Amherst Bulletin, 24 February 1995.

Cork, Richard. “Objects of Obscure Desire.” Times, 16 May 1995, p. 1.

Feinberg, Jean E. New Art 4: A Conversation Between Rona Pondick and Jean Feinberg. Exh. broch., Cincinnati, OH, Cincinnati Art Museum, 1995.

Fineberg, Jonathan. Art Since 1940: Strategies of Being. Englewood Cliffs, NJ, Prentice Hall, 1995, p. 467.

Hagen, Charles. “Inside Out.” New York Times, 14 June 1995. p. C16.

Hapgood, Susan, Suzanne Ramljak, and Ann Wilson Lloyd. Object Lessons. Exh. cat., Boston, Massachusetts College of Art, 1995.

Harris, Susan. “New York.” Art Press, July-August 1995, p. 11.

Levin, Kim. “Bemerkungen zu einem Dialog der Kulturen.” Configura 2. Exh. cat., Erfurt, Germany, Configura 2 and Dialog der Kulturen, 1995, pp. 31-34.

Levin, Kim. “Voice Choice.” Village Voice, 25 April 1995, p. C2.

Lippard, Lucy R. The Pink Glass Swan: Selected Feminist Essays on Art. New York, New Press, 1995, pp. 16-17.

Malbert, Roger. “Fetish and Form in Contemporary Art.” Fetishism. Exh. cat., London, South Bank Centre in association with Lord Humphries Publishers, 1995, p. 116, pl. 28.

Maxwell, Douglas F. Inside Out. Exh. cat., Ridgefield, CT, Aldrich Museum of Contemporary Art, 1995, pp. 9-10, 66-67.

McQuaid, Cate. “The Ways of All Flesh.” Boston Phoenix, 3 February 1995, pp. 1-2.

Murdoch, Sadie. “New York in Brief.” Women’s Art Magazine, July/August 1995, pp. 3, 5, 18-21.

Nixon, Mignon. “Bad Enough Mother.” October, Winter 1995, pp. 71-92.

Porat, Joan. “Pondick’s Sculptures at CAM Ask Viewers to Complete the Picture.” American Israelite, 15 June 1995, p. B6.

Ratcliff, Jonathon. “Absolutely Imperfect.” Daily Hampshire Gazette, 25-26 February 1995.

Riddell, Jennifer L. “The Abject Object.” New Art Examiner, October 1995, pp. 26-31, 53.

Russell, Gloria. “‘Imperfect’ Show Features Flawless Perceptions.” Springfield Sunday Republican, 5 March 1995, p. F2.

Sherman, Mary. “Female Artists Express Their Gender.” Boston Herald, 25 January 1995, p. 46.

Shottenkirk, Dena. “New York in Brief.” C Magazine, Summer 1995, p. 39.

Stapen, Nancy. “Feminine Dialogues: A Tempest from Oppenheim’s Teacup.” Boston Sunday Globe, 29 January 1995.

Stein, Jerry. “Body by Pondick.” Cincinnati Post, 6 April 1995, pp. 2B, 3B.

Stuart, Elizabeth. “Musings.” The Muse: Transforming the Image of Woman in Contemporary Art. Exh. cat., Paris and Salzburg, Galerie Thaddaeus Ropac and Salzburg Festival, 1995, pp. 8, 117-20, 169.

Watkins, Eileen. “Watch and Wear: Clothing as Visual Art.” Sunday Star Ledger, 17 December 1995, sec. 4, p. 14.

Watson, Bruce. “The Real World Lives of Artists.” Daily Hampshire Gazette, 21 February 1995.

Wilson, Elizabeth. “Strange Objects of Desire.” Independent, 30 May 1995, p. 21.

1994
Drohojowska-Philip, Hunter. “And When They Were Bad. . . . ” Los Angeles Times, 16 January 1994, p. 4.

Gargiulo, Thomas. “In the Lineage of Eva Hesse.” Art New England, October/November 1994, pp. 46-47.

Hess, Elizabeth. In the Lineage of Eva Hesse, Blood Sisters. Exh. cat., Ridgefield, CT, Aldrich Museum of Contemporary Art, 1994, pp. 5-8, 64-66.

Kuspit, Donald. “The Decline, Fall and Magical Resurrection of the Body.” Sculpture, May/June 1994, pp. 20-31.

Myers, Terry R. Object Bodies. Exh. cat., Greencastle, IN, Depauw University, 1994, pp. 5, 18.

Myers, Terry R. “Rona Pondick: What Happened?” Galeries, February-March 1994, p. 106.

Pohlen, Annelie. Uber Leben. Exh. cat., Bonn, Germany, Bonner Kunstverein, 1994, pp. 32-34, 38, 94-95.

Smith, Roberta. “Sculptors in the Shadow of a Minimalist Master.” New York Times, 18 March 1994, p. C21.

Smith, Roberta. “Body of Evidence.” Vogue, August 1994, pp. 150, 152, 154.

Stapen, Nancy. “Rona Pondick at Howard Yezerski.” Art News, March 1994, p. 145.

Tucker, Marcia, and Marcia Tanner. Bad Girls. Exh. cat., New York, New Museum of Contemporary Art; Cambridge, MA, MIT Press, 1994, pp. 88, 123.

Wilson, Mark. “Het liminale lichaam. De beelden van Rona Pondick.” Metropolis M, August 1994, pp. 32-33.

Zaya, Octavio. “I Can Express It Any Way I Want: An Interview with Rona Pondick.” Atlántica Internacional Revista de las Artes, February 1994, pp. 17-23, 124-28.

1993
Fujimori, Minami. “From New York.” Bijitsu Techo, August 1993, pp. 126-27.

Hagen, Charles. “In Connecticut: Clothes.” New York Times, 23 July 1993, p. C25.

Hess, Elizabeth. “Indecent Exposure.” Village Voice, 12 January 1993, pp. 83-84.

Hess, Elizabeth. “Basic Instincts.” Village Voice, 1 June 1993, p. 83.

Hirsch, Faye. “Rona Pondick.” Art in America, November 1993, p. 126.

Levin, Kim. “Voice Choices.” Village Voice, 25 May 1993, p, 67.

Knight, Christopher. “Faceless Critics, Harmless Art.” Los Angeles Times, 24 January 1993, pp. 90-91.

Mahoney, Robert. “Rona Pondick.” C Magazine, Fall 1993, p. 77.

Pinchbeck, Daniel. “Openings: Rona Pondick.” Art and Antiques, May 1993, p. 22.

Saltz, Jerry. “Critics Diary, Mayday, Mayday, Mayday.” Art in America, September 1993, pp. 41-45.

Seward, Keith. “Rona Pondick.” Artforum, November 1993, pp. 106-07.

Silver, Joanne. “Startling Works Evoke Buried Memories.” Boston Herald, 29 October 1993, p. S25.

Smith, Roberta. “A Remembrance of Whitney Biennials Past.” New York Times, 18 February 1993, p. 31.

Smith, Roberta. “Examining Culture Through Its Castoffs.” New York Times, 28 November 1994, pp. 39, 44.

Stapen, Nancy. “Translating Experience: Art of Words and Spirit.” Boston Globe, 21 October 1993, p. 73.

Zimmer, William. “Yale Celebrates Its Artists and Its Collectors Since 1950.” New York Times, 27 June 1993, p. C14.

1992
Adrenne, Paul. “Rona Pondick at Galerie Thaddaeus Ropac.” Art Press 172, September 1992, p. 73.

Aya and Gal. “Something That Only Women Have.” Jerusalem Voice, 11 November 1992, p. 38.

Cameron, Dan. “The Changing Tide.” Art and Auction, January 1992, pp. 50-54.

Cameron, Dan. “Don’t Look Now.” Frieze, 3 January 1992, pp. 4-8.

Coller, Barbara. The Edge of Childhood. Exh. cat., Huntington, NY, Heckscher Museum, 1992, p. 20.

Curtis, Cathy. “Strange Bedfellows at Cal State Fullerton.” Los Angeles Times, 21 September 1992, pp. F2-F5.

Golan, Yehuda. “Rona Pondick.” Ma’ariv, 9 November 1992, p. 62.

Hall, Donald and Helaine Posner. “Corporal Politics.” MIT List Visual Arts Center. Exh. cat., Cambridge, MIT List Visual Arts Center; Boston, Beacon Press, 1992, pp. 13, 25, 34-37.

Heinick, Angelika. “Skandal um Rona.” Frankfurter Allgemeine Zeitung, 27 June 1992, pp. 33-34.

Hess, Elizabeth. “Dirty Laundry.” Village Voice, 12 May 1992, p. 91.

Hills, Patricia. “The Naked Body, Censorship and the NEA.” Art New England, August/September 1992, pp. 14-16.

Kalin, Tom. “Plastic Fantastic Lover (Object A).” Artforum, January 1992, p. 102.

Kuspit, Donald. “Images of an Innocence That Never Was.” The Edge of Childhood. Exh. cat., Huntington, NY, Heckscher Museum, 1992, p. 27 pl. 15, 16.

Landau, Suzanne. Pink and Brown. Exh. cat., Jerusalem, Israel Museum, 1992.

McCracken, David. “Power Play.” Chicago Tribune, 14 February 1992, sec. 7, p. 72.

Mesch, Claudia. “Power Play.” New Art Examiner, September 1992, pp. 33-34.

Myers, Terry R. “Abstraction Gets a Life.” Tema Celeste, Summer 1992, p. 82.

Quinn, Michael. “Rock to Rescue.” Time, 1 June 1992, p. 89.

Schwabsky, Barry. “Shamelessness.” Sculpture, July-August 1992, pp. 44-51.

Seward, Keith. “Psycho.” Artforum, September 1992, pp. 106-07.

Shefi, Smadar. “Men’s Shoes and Pink Lace.” Ha’aretz, 11 November 1992.

Smith, Roberta. “Women Artists Engage the Enemy.” New York Times, 16 August 1992, sec. 2, pp. 1, 23.

Spector, Buzz. “View to a Room.” Bedroom Eyes: Room with a View. Exh. cat., Fullerton, Fullerton Art Gallery, California State University, 1992, p. 17.

Sperling, Tamira. “Exhibit Challenges Sexual Stereotypes.” Art and Performance, 14 February 1992, p. 5.

Watten, Barrette. “A Condition of Loss: ‘Childhood Revisited’ at Rena Bransten Gallery.” Artweek, 9 January 1992, p. 12.

Watts, Tricia. Bedroom Eyes: Room with a View. Exh. cat., Fullerton, Fullerton Art Gallery, California State University, 1992, p. 11.

Western, Mirjam. “Verlichting of Vernietiging?” HN Magazine, October 1992.

1991
Armstrong, Richard, John Hanhardt, Richard Marshall, and Lisa Phillips. 1991 Biennial Exhibition. Exh. cat., New York, Whitney Museum of American Art in association with W. W. Norton & Company, 1991, pp. 210-13.

Boschman, Hella. “Baby und Bottles. Frauen im Aufwind.” Die Welt/Hamburg, July 1991.

Brenson, Michael. “Foot and Mouth.” New York Times, 3 May 1991, p. C19.

Cameron, Dan. Just What Is It That Makes Today’s Homes So Different, So Appealing?. Exh. cat., Glens Falls, NY, Hyde Collection, 1991, p. 15.

D’Amato, Brian. “Rona Pondick.” Flash Art, November/December 1991, p. 134.

Flam, Jack. “Pluralistic and Perky.” Wall Street Journal, 22 May 1991.

Heartney, Eleanor. “The Whitney Biennial.” Art News, Summer 1991, pp. 143-44.

Hess, Elizabeth. “Nasty Girl.” Village Voice, 7 May 1991, p. 85.

Johnson, Ken. “Generational Saga, The Whitney Biennial.” Art in America, June 1991, pp. 44-51.

Leigh, Christian. Dark of Heartness: Rona Pondick’s “Scrap” and Other Symbolisms. Exh. cat., Glenside, PA, Beaver College Art Gallery, 1991.

Leigh, Christian. “The 1991 Whitney Biennial.” Flash Art, Summer 1991, p. 161.

Levin, Kim. “Voice Choices: Foot and Mouth.” Village Voice, 3 May 1991, p. 95.

Levin, Kim. “Voice Choice: Plastic Fantastic Lover (Object A).” Village Voice, 5 November 1991.

Mahoney, Robert. “Vertigo.” Contemporanea, January 1991, p. 104.

Myers, Terry R. “Having a Ball, Wish You Were Here.” LAPIZ International Art Magazine 80, October 1991, pp. 76-78.

Neff, Eileen. “Rona Pondick.” Artforum, September 1991, p. 133.

Pagel, David. “Guilt, Innocence Entangle in Pondick’s ‘Heads.’” Los Angeles Times, 21 November 1991, p. F3.

Saltz, Jerry. “The Living Dead Life of the Body: The Sculpture of Rona Pondick.” Balcon 7, Winter 1991, pp. 79-92.

Schor, Mira. “You Can’t Leave Home Without It.” Artforum, October 1991, pp. 114-19.

Smith, Roberta. “Plastic Fantastic Lover (Object A).” New York Times, 1 November 1991, p. C16.

Sozanski, Edward J. “Art That Shocks by Its Treatment of the Mundane.” Philadelphia Inquirer, 14 February 1991, p. 5D.

Tanaka, Hiroko. “Art in New York.” Hifashion, August 1991, pp. 162-63.

Yau, John. “‘Rope,’ Colgados de Hitchcock.” Guía del Ocio 80, 7 June 1991.

Zaya, Octavio. “Revisión y conseno Bienal 91.” Diario 16, 11 May 1991, pp. 4-5.

1990
Altshuler, Bruce. “Collector on the Couch.” Art Issues, February 1990, pp. 21-22.

Anderson, Michael. “mamamamama.” Art Issues, September/October 1990, p. 33.

Hayt-Atkins, Elizabeth. “The Anxiety of Influence.” Contemporanea, September 1990, pp. 66-73.

Humphrey, David. “Hair Piece.” Art Issues, February 1990, pp. 17-20.

Kandel, Susan. “L.A. in Review.” Arts Magazine, September 1990, p. 107.

Myers, Terry R. “Pressing Pleasures: The Urgent Sculptures of Rona Pondick.” Arts Magazine, November 1990, pp. 90-95.

Pagel, David. “mamamamama.” Artscribe, September/October 1990, pp. 91-92.

Princenthal, Nancy. “Rona Pondick.” Art in America, January 1990, pp. 157-59.

Wilson, William. “mamamamama.” Los Angeles Times, 1 June 1990, p. F15.

Yau, John. Diverse Representations 1990. Exh. cat., Morristown, NJ, Morris Museum, 1990, pp. 9, 36-38.

Zimmer, William. “Sculpture by Novel Means.” New York Times, 4 November 1990, p. 22.

1989
Braff, Phyllis. “Ideas and Form on the Edge.” New York Times, 7 May 1989.

Bonetti, David. “ICA Gets Current Again.” Boston Phoenix, 9 March 1989, pp. 7, 19.

Brenson, Michael. “A Show’s Instructive Provocation.” New York Times, 17 March 1989, p. C27.

Fox, Catherine. “Provocative Sculpture Explores Egos.” Atlanta Journal, 1 June 1989, p. C3.

Gookin, Kirby. Bed Milk Shoe. Exh. cat., New York, fiction/nonfiction, 1989.

Hess, Elizabeth. “Voice Choices: Bed Milk Shoe.” Village Voice, 24 October 1989, p. 50.

Hirsch, David. “X-Rated Summer Tensions.” New York Native, 17 July 1989, pp. 34-35.

Joselit, David. Currents: Rona Pondick. Exh. broch., Boston, Institute of Contemporary Art, 1989.

Levin, Kim. “Voice Choices: ‘Erotophobia.’” Village Voice, 18 July 1989, p. 52.

Liu, Catherine. “Another Voice: Let’s Get Real.” Village Voice, 1 August 1989, p. 90.

Mahoney, Robert. “Bed Milk Shoe.” Arts Magazine, December 1989, p. 92.

Spector, Buzz. “A Profusion of Substance.” Artforum, October 1989, p. 120-28.

Stapen, Nancy. “Body and Soul.” Boston Herald, 10 February 1989, pp. S17, S19.

Temin, Christine. “Unpleasant Art Without a Point.” Boston Globe, 10 February 1989, p. 46.

Wagner, Judy Collischan van. Lines of Vision: Drawings by Contemporary Women. Exh. cat., New York, Hudson Hills Press, 1989, pp. 113, 166.

1988
Altshuler, Bruce. “Rona Pondick: Sculpture and Installation.” Beds. Exh. cat., New York, Sculpture Center, 1988.

Baker, Kenneth. “Impressions of the Future.” Collaborations in Monotype, 1988–89. Exh. cat., Santa Barbara, CA, University Art Museum, 1988, pp. 44-45.

Barasch, Amy. “New This Week.” Seven Days, 24 September 1988, p. 54.

Brenson, Michael. “Rona Pondick.” New York Times, 20 May 1988, p. C28.

Brenson, Michael. “Rona Pondick—Beds.” New York Times, 9 September 1988, p. C20.

Connor, Maureen. “Rona Pondick.” Arts Magazine, May 1988, p. 84.

Gookin, Kirby. “Rona Pondick.” Artforum, December 1988, p. 120.

Hess, Elizabeth. “Ladies’ Rooms.” Village Voice, 24 May 1988, p. 109.

Hinders, Margaret. “Soiled Sheets.” 108: Review, May/June 1988, pp. 4-5.

Hullenkremer, Marie. “Berge, die ihre Form verandern.” Kölner Stadt-Anzeiger, 4 May 1988, p. 29.

Kramer, Hilton. “Femininity as ‘Masquerade’ Show.” New York Observer, 3 October 1988, pp. 1, 12.

Levin, Kim. “Voice Choices.” Village Voice, 4 October 1988, p. 64.

Myers, Terry R. “Rona Pondick.” Arts Magazine, December 1988, p. 89.

Peckham, Virginia. New Artists/New Drawing. Exh. cat., New London, CT, Lyman Allyn Museum, 1988.

Plous, Phyllis. “Monotype Today.” Collaborations in Monotype, 1988-89. Exh. cat., Santa Barbara, CA, University Art Museum, 1988, pp. 13-17.

Raap, Jurgen. “The Other New York.” Kunstforum, July 1988, pp. 295-97.

Trippi, Laura. Girls Night Out: Femininity as Masquerade. Exh. broch., New York, New Museum for Contemporary Art, 1988.

1987
Brenson, Michael. “Peter Flaccus, Helen Miranda Wilson, and Rona Pondick.” New York Times, 23 July 1987, p. C23.

Cohen, Ronny. “New Abstraction.” Print Collector’s Newsletter, vol. 17, no. 1, 1987, pp. 12-14.

1986
Brenson, Michael. “Emerging Sculptors: 1986.” New York Times, 26 December 1986, p. C30.

Kingsley, April. “Highly Specific Objects.” Emerging Sculptors: 1986. Exh. cat., New York, Sculpture Center, 1986, pp. 4, 10, 11.

1985
Watkins, Eileen. “Jersey City Museum Explores Modern Mystery.” Sunday Star-Ledger, 26 May 1985, p. E45.

1984
Raynor, Vivien. “Exceptional and New” New York Times, 13 July 1984, p. C17