ESSAYS

2024
Seifert, Aleš, et al. “Let It GROW Again!: The Tree in Art.” Alšove Jihočeská Galerie, Belvedere Museum, 2024, pp. 158, 213-215.

2023
Ramljak, Suzanne. “Beholding Trees.” Forest of Dreams: Contemporary Tree Sculpture, Grand Rapids, Michigan, Frederik Meijer Gardens & Sculpture Park, 2023.

2022
GROW: The Tree in Art. Belvedere Museum, 2022, pp. 80-87.

Pobric, Pac. “Funny Games.” Rona Pondick: Works From the 1990s. Exh. cat., Steven Zevitas Gallery, Boston, Massachusetts, 2022, pp. 4-6.

Rollig, Stella. Carlone Contemporary: Rona Pondick. Exh. broch., Belvedere, 2022.

2021
Josenhans, Frauke and Elizabeth Hodermarsky. On the Basis of Art: 150 Years of Women at Yale. New Haven, Yale University Art Gallery, 2021, pp. 174-177.

2020
Cotentin, Régis. “L’artiste fait comme un rat.” Le rêve d’être artiste; Le livre qui vous raconte comment les artistes sont devenu.e.s des artistes. Exh. cat., Lille, France, Palais Beaux-Arts Lille, 2020, p. 144.

Ruhkamp, Uta. “In aller Munde: Das Orale in Kunst und Kultur.” Hatje Cantz. Exh. cat., Wolfsburg, Germany, Kunstmuseum Wolfsburg, 2020, pp. 1, 3-4, 12-15, 24-25, 101, 337, 349-351.

Click here for an English translation of the Hatje Cantz exhibition catalogue.

2019
Homem, Antonio and Remai Modern. “The Sonnabend Collection: A Conversation between Antonio Homem and Remai Modern.” The Sonnabend Collection. Exh. cat., Saskatoon, Canada, Remai Modern, 2019, pp. 178-179, 206-207.

2018
Zelevansky, Lynn. “Rona Pondick: Without Evasion or Compromise.” Rona Pondick: 2013-18. Exh. cat., New York, Marc Straus; Los Angeles, Zevitas Marcus, 2018, pp. 5-13.

2017
King, Elaine A. “Casting, Unbounded in an Expanded Age.” Cast. Atglen, Pennsylvania, Schiffer Publishing, Ltd., 2017, pp. 321, 348-49.

The Metropolitan Museum of Art. The Artist Project: What Artist See When They Look At Art. London, Phaidon Press Limited; New York, Phaidon Press Inc.; New York, Metropolitan Museum of Art, 2017, pp. 167, 168, 178, 179, 268.

Myers, Terry R. “Bodies Redoubled.” Rona Pondick and Robert Feintuch: Heads, Hands, Feet; Sleeping, Holding, Dreaming, Dying. Exh. cat., Lewiston, Maine, Bates Museum of Art, 2017, pp. 12-23.

Townsend, Jen and Zettle-Sterling, Renee. “Casting as it Relates to the History of the Fine and Decorative Arts.” Cast. Atglen, Pennsylvania, Schiffer Publishing, Ltd., 2017, pp. 26-27, 150.

2014
Goodeve, Thyrza Nichols. “Rona Pondick, Fox.” Come Together: Surviving Sandy, Year 1. The Brooklyn Rail and Dedalus Foundation, 14 November 2014, www.cometogethersandy.com.

2013
Concannon, Kevin. Two Trees. Virginia Tech, 2013.

Click here for a Chinese translation of this essay.

2012
Changing States of Matter. Exh. cat., Milan, Italy, Brand New Gallery, 2012, pp. 2-5, 48-49, 62-63.

Lash, Miranda. The Sydney and Walda Besthoff Sculpture Garden. London, Scala Publishers Limited; New Orleans, New Orleans Museum of Art, 2012, pp. 3, 14, 142, 143, 189.

2011
Armstrong, Richard. Ileana Sonnabend, An Italian Portrait. Exh. cat., Venice, Italy, The Solomon R. Guggenheim Foundation, 2011, p. 9.

Codognato, Mario. Ileana Sonnabend, An Italian Portrait. Exh. cat., Venice, Italy, The Solomon R. Guggenheim Foundation, 2011, pp. 96-97.

Fineberg, Jonathan. Art Since 1940: Strategies of Being. 1995, 2000. Englewood Cliffs, NJ, Prentice Hall, 2011, p. 464, 466-467.

Lash, Miranda. The Sydney and Walda Besthoff Sculpture Garden; at the New Orleans Museum of Art, Art Spaces. London, Scala Publishers Limited; New Orleans, New Orleans Museum of Art, 2011, pp. 7, 39, 42, 43, 62.

2009
Gilman, Amy. Toldeo Museum of Art Masterworks. Toledo, OH, Toledo Museum of Art, 2009, p. 357.

Fifield, George. “Rona Pondick: The Art of Using Technology.” Rona Pondick: The Metamorphosis of an Object. Exh cat., Worcester, Massachusetts, Worcester Art Museum, 2009, pp. 107-112.

Hart, Dakin. “A Museum of Rona Pondick's Making.” Rona Pondick: The Metamorphosis of an Object. Exh. cat., Worcester, Massachusetts, Worcester Art Museum, 2009, pp. 29-41.

Princenthal, Nancy. “Of Two Minds: Pondick's Hybrid Sculptures in Historical Context.” Rona Pondick: The Metamorphosis of an Object. Exh. cat., Worcester, Massachusetts, Worcester Art Museum, 2009, pp. 43-49.

"Rona Pondick." Medicine and Art: Imagining a Future for Life and Love. Exh. cat., Tokyo, Japan, Mori Art Museum, 2009, pp. 240, 283.

Stoops, Susan. “Rona Pondick.” The Rose Art Museum at Brandeis. Edited by Michael Rush, New York, NY, Abrams, 2009, p. 260.

Stoops, Susan L. “Visceral Meaning: How Sculptors See.” Rona Pondick: The Metamorphosis of an Object. Exh. cat., Worcester, Massachusetts, Worcester Art Museum, 2009, pp. 11-27.

Click here for a Chinese translation of this essay.

2008
Cotentin, Régis. “Actualités des Caprices.” Goya. Les Caprices & Chapman, Morimura, Pondick, Schutte. Exh. cat., Paris, Somogy Éditions d’Art; Lille, Palais des Beaux-Arts de Lille, 2008, pp. 35-51.

Cotentin, Régis. “Rona Pondick: ­The other side of reality.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat., Ljubljana, Slovenia, TR3, 2008, pp. 21-29.

Heartney, Eleanor. Art & Today. London, Phaidon Press Limited; New York, Phaidon Press Inc., 2008, pp. 208, 210.

Houston, Joe. “The Alchemical Forest.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. Paris/Salzburg, Galerie Thaddaeus Ropac; New York, Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008, pp. 89-107.

Click here for a Chinese translation of this essay.

MacAdam, Barbara A. “Rona Pondick.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat., Ljubljana, Slovenia, TR3, 2008, pp. 15-17.

Myers, Terry R. “Rona Pondick’s Animal Magnetism.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat., Ljubljana, Slovenia, TR3, 2008, pp. 33-36.

Myers, Terry R. “Rona Pondick’s Animal Magnetism.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. Paris/Salzburg, Galerie Thaddaeus Ropac; New York, Sonnabend Gallery; Salzburg, Internationale Sommerakademie für Bildende Kunst, 2008, pp. 50-61.

Weiermair, Peter. “Reflections on an Exhibition at the Rupertinum Museum for Modern and Contemporary Art.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. Paris/Salzburg, Galerie Thaddaeus Ropac; New York, Sonnabend Gallery; Salzburg, Internationale Sommerakademie für Bildende Kunst, 2008, pp. 39-45.

2007
Collins, Judith. Sculpture Today. London, Phaidon Press Limited; New York, Phaidon Press Inc., 2007, pp. 90, 94.

2006
Weiermair, Peter. Eccentrics. Exh. cat., Kraichtal, Germany, Ursula Blickle Foundation, 2006, pp. 5-7, 76-84, 120-23, 130-31.

2005
Steffen, Barbara, and Mary Anne Redding. Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York. Exh. cat., Vienna, Edition Sammlung Essl, 2005, pp. 114, 139, 146, 274.

2004
Anker, Suzanne, and Dorothy Nelkin. The Molecular Gaze: Art in the Genetic Age. New York, Cold Spring Harbor Laboratory Press, 2004, cover, 62, 64.

2003
Seidel, Claudia, and Rachel Haidu. A Dialogue of Two Collections: Ileana Sonnabend and DaimlerChrylser. Exh. cat., Berlin, Daimler Chrylser Contemporary, 2003, pp. 13, 30-31.

2002
Haidu, Rachel. From Pop to Now: Selections from the Sonnabend Collection. Exh. cat., New York, Distributed Art Publishers, 2002, pp. 144-45, 180.

Van Der Zijpp, Sue-an. “Beyond the Order of Things.” Rona Pondick. Exh. cat., New York, Sonnabend Press, 2002, pp. 4-5.

Weiermair, Peter. “Considerations about the Work of Rona Pondick.” Rona Pondick. Exh. cat., New York, Sonnabend Press, 2002, pp. 7-10.

2000
Zaya, Antonio. Erresistentziak Resistencias. Exh. cat., San Sebastian, Spain, Koldo Mitxelena Kulturunea Donostia-San Sebastian, 2000, pp. 52-55, 156-59, 170.

Martin, Jean-Hubert. “Partage d’Exotismes.” 5ème Biennale d’art contemporain de Lyon. Exh. cat., Lyon, France, Lyon Biennale, 2000, vol. 2, pp. 32-33, 210.

1999
Schneider Adams, Laurie. Art Across Time. Boston, McGraw-Hill College, 1999, pp. 934-35.

1998
Berends, Jeroen. “What Remains.” Groninger Museumkrant, Fall 1998, pp. 13-14.

Harris, Susan. “Rona Pondick.” Skulptur—Figur—Weiblich. Exh. cat., Linz, Austria, Landesgalerie Oberosterreich Landesmuseum, 1998, pp. 135-38.

1997
Deans, Jeanie. tree head room. Exh. cat., New York, Sidney Janis Gallery, 1997.

1996
Kotik, Charlotta. Mine. Exh. broch., Brooklyn, NY, Brooklyn Museum, 1996.

1995
Fineberg, Jonathan. Art Since 1940: Strategies of Being. Englewood Cliffs, NJ, Prentice Hall, 1995, p. 467.

Levin, Kim. “Bemerkungen zu einem Dialog der Kulturen.” Configura 2. Exh. cat., Erfurt, Germany, Configura 2 and Dialog der Kulturen, 1995, pp. 31-34.

1992
Hall, Donald and Helaine Posner. “Corporal Politics.” MIT List Visual Arts Center. Exh. cat., Cambridge, MIT List Visual Arts Center; Boston, Beacon Press, 1992, pp. 13, 25, 34-37.

Landau, Suzanne. Pink and Brown. Exh. cat., Jerusalem, Israel Museum, 1992.

1991
Armstrong, Richard, John Hanhardt, Richard Marshall, and Lisa Phillips. 1991 Biennial Exhibition. Exh. cat., New York, Whitney Museum of American Art in association with W. W. Norton & Company, 1991, pp. 210-13.

Leigh, Christian. Dark of Heartness: Rona Pondick’s “Scrap” and Other Symbolisms. Exh. cat., Glenside, PA, Beaver College Art Gallery, 1991.